Most businesses are more different than they sound. But when complex capabilities are compressed into safe category language, real differences disappear. On brand narrative, the cost of sounding interchangeable and why differentiation starts with a point of view, not an inventory.
Corporate websites are among the safest places on the internet. Nothing unexpected is allowed to happen there.
Every company is innovative, every service is tailored and every relationship is a partnership. Customers are invariably at the heart of everything, even when the thing in question is industrial pipework or regulatory reporting software.
Many of these businesses offer end-to-end solutions, a phrase that sounds reassuringly complete while revealing almost nothing. This may explain its popularity.
The strange thing is that most businesses really are more different than they sound. They contain specialist knowledge, unusual operating models and capabilities that have taken years to build. Their people can solve problems most of us would struggle to describe, let alone fix.
Then the homepage introduces the whole enterprise as “a trusted partner delivering innovative end-to-end solutions”.
The value is still there. It has simply been dressed as everybody else.
Dentsu research found that 68% of B2B buyers believe the brands they encounter at work have very similar marketing and communications. In the same study, 71% of B2B marketers thought their own organisation was good at communicating a distinctive position.
So almost every business believes it stands out. Almost every customer is looking at a row of different logos saying roughly the same sentence.
This is not because businesses are unaware of the problem. Many are actively trying to find a narrative that better reflects what they have become.
And what they have become can be genuinely difficult to explain. Businesses grow through acquisitions, new capabilities, new markets and the occasional strategic pivot. The company changes more quickly than the language around it. Before long, the original description bears the same relationship to the business as an old staff photograph: still recognisable, but missing several important people.
Finding the new story is not simply a copywriting exercise. Different parts of the business see its value from different angles. Sales knows what customers ask for. Product understands what has been built. Operations knows what is difficult to deliver. Leadership is thinking about where the organisation needs to go next.
Everyone is right.
This is where the trouble starts.
The narrative exercise often begins with the question: how do we explain everything we do?
It is a reasonable question. It is also usually the wrong one.
The more useful question is: what do we need people to understand first?
The distinction matters. The first produces an inventory. The second produces a point of view.
An inventory tries to give every capability its allotted space. A point of view decides which value the business wants to make easiest to recognise, then uses the rest of the organisation as evidence.
That is the change more businesses need to make. Stop treating the narrative as the shortest available description of the company. Use it to decide what the company should be known for.
This requires choice, which is why it is difficult. Every division has something important to contribute. Every market has a nuance that cannot be lost. Every claim needs a qualification, partly for accuracy and partly because someone once challenged it in a meeting.
By the time all the truths have been assembled, the business has produced a description that is comprehensive, responsible and four paragraphs long.
Faced with this, organisations often simplify by becoming more general. Specialist knowledge becomes “expertise”. A particular operating model becomes “partnership”. Several years of development become “innovation”. Anything the customer can actually picture becomes a “solution”.
The language gets shorter. The meaning disappears.
Real simplicity is not about reducing the number of words. It is about reducing the amount of work the audience has to do.
A technology platform may contain hundreds of functions. The value might be the decision a customer can now make in minutes rather than days. A professional-services firm may offer dozens of disciplines. The difference might be that the client no longer has to coordinate five separate advisers.
The complexity has not gone away. The audience has been shown what it is worth.
Businesses sometimes assume people will discover this for themselves. Customers will study the full portfolio, investors will examine every capability and employees will read all 76 slides before correctly arranging the strategic pillars in their heads.
They won't. They have other things to do. They're probably looking at their phones.
People experience a business through the much smaller story they can remember about it. That story decides which mental drawer the company is put in — and therefore which competitors it is compared with, what customers expect to pay and what the market believes it might become.
The car industry once provided a particularly neat demonstration.
The Geo Prizm, later the Chevrolet Prizm, and the Toyota Corolla were produced through the same manufacturing operation in California. As The Washington Post observed in 1994, the cars shared engines and sheet metal and were built on the same lines, by the same people, using the same tools.
Buyers were nevertheless prepared to pay more for the Toyota.
This must have been mildly irritating for Chevrolet, which had gone to the trouble of offering much of the same car.
The engineering differences were slight. The difference in meaning was considerable.
Toyota arrived with a familiar story about reliability, quality and resale value. The Prizm arrived with much of the same machinery but without the same confidence attached to it. One car was immediately easy to place. The other required a short explanation involving Geo, General Motors and a joint manufacturing operation, which is more background reading than most people expect from a family hatchback.
A narrative does not merely help people remember a business. It tells them what sort of business they are looking at and which value deserves their attention.
Monzo provides a more recent example of a company establishing a clearer role in a crowded category.
Banking has no shortage of interchangeable promises. Most banks offer security, control and reassurance, while expressing a strong desire to accompany customers through every stage of life, whether invited or not.
Monzo's Get Busy Living platform takes a more particular view. Its advertising shows ordinary life happening while the bank and its features remain quietly in the background.
The thought is simple: good banking should require less of your attention, leaving more of it available for everything else.
That gives Monzo more than a distinctive advertising style. It gives the business a recognisable role. Automatic savings, payment notifications and shared accounts stop being a list of features and become evidence of a larger idea.
Competitors can reproduce an individual function. What is harder to reproduce is a point of view that has worked its way into the product as well as the promotion.
This is the payoff of a strong narrative. It does not merely make the business sound clearer. It changes the category the company is placed in, makes its value easier to recognise and gives people inside the organisation a better basis for deciding what fits.
That has consequences far beyond the homepage.
When customers understand the value more quickly, they can make a better comparison. Sales spends less time stitching together a different explanation for every meeting. Employees have a clearer sense of what the business is trying to deliver. Leaders gain a sharper test for deciding which opportunities fit and which merely look tempting in a spreadsheet.
Marketing also gets to write something other than “trusted partner”, which is a modest but worthwhile contribution to human progress.
The point is not that every business needs a clever slogan. It is that every business should know what it wants people to understand that they do not understand today.
What are customers currently being asked to work out for themselves? Which valuable difference is buried beneath the list of capabilities? What should become easier to choose, sell or decide once the narrative is clear?
Those are strategic questions, not writing prompts.
A strong narrative creates a hierarchy. It tells people what matters first, then allows the detail to prove it. It gives the outside world a clearer way to understand the business and gives the people inside it a more useful way to act.
That is better for everyone. Customers expend less effort trying to distinguish between similar-looking options. Employees spend less time translating the organisation for different audiences. Businesses have a better chance of being judged on the value they have actually created rather than on the familiarity of their name or the competitiveness of their price.
The work is not finished when everyone can agree with the words.
It is finished when the words make the business easier to choose, easier to explain and clearer to run.
Otherwise, you do not have a narrative.
You have an inventory with an introduction.
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